Tokina 16-28mm MK II T3 Cinema for E Mount
The Tokina 16-28mm MK II T3 Cinema lens for E Mount offers outstanding wide-angle performance and durability for filmmakers.
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Tokina 16-28mm MK II T3 Cinema for E Mount
Tokina 16-28mm MK II T3 Cinema for E Mount – Wide Angle Coverage up to Vista Vision
The Tokina 16-28mm MK II T3 Cinema lens for E Mount is the perfect solution for filmmakers seeking a combination of wide-angle performance and professional construction. With this lens, you can easily shoot with Full Frame and longer sensors, opening up creativity and flexibility in your work. The modern optical design and all-metal construction make it a reliable choice for anyone working in film production.
Redesigned to Match the Vista Series
This lens is a redesigned version of the popular 16-28mm cine lens and has been crafted to harmonize with the other lenses in the Vista series. The robust all-metal construction not only provides a professional feel but also enhances durability during demanding shoots. Thanks to the similar focus rotations and gear positions as the Vista Prime lenses, filmmakers can easily integrate this lens into their existing lens kits, allowing for smooth and consistent handling.
Optical Performance and Behavior
With a parfocal optical design, the Tokina 16-28mm MK II T3 allows you to perform zoom racking without losing focus, which is crucial in professional production environments. Distortion is well controlled, ensuring that the lens delivers sharp and clear images even at the widest aperture. The optical design is meticulously crafted to meet the demands of professional film production, ensuring high image quality in wide-angle.
Professional Controls and Markings
The lens is equipped with clear and well-placed focus, iris, and zoom markings. These markings are designed to facilitate the work of focus pullers and camera assistants, and they meet industry standards for professional productions, making it easier to work accurately and efficiently on set.
Mounting Versatility
The Tokina 16-28mm MK II T3 Cinema comes with the Tokina Cinema Vista Lens Mount system, offering outstanding versatility. While this specific model has E Mount, the mount can be easily swapped to PL, EF, Sony E, MFT, and Nikon F in just a few minutes. This feature allows the lens to be adapted to different camera platforms, which is a significant advantage for filmmakers working with various equipment.
Applications
- Filmmakers who need a wide-angle zoom that covers Full Frame and Vista Vision sensors.
- Production environments that require durable, all-metal lens housings and professional markings.
- Camera teams looking for consistent handling between Vista Prime lenses and this zoom for smooth lens changes and matching gear positions.
Specifications
| Specification | Detail |
|---|---|
| Model | Tokina 16-28mm MK II T3 Cinema |
| Focal Length | 16-28mm |
| Aperture | T3 |
| Mount (this listing) | E Mount |
| Interchangeable Mounts | PL, EF, Sony E, MFT, Nikon F |
Frequently asked questions
What type of mount does the Tokina 16-28mm MK II T3 Cinema lens have?
This specific model has an E Mount.
Can the mount on the lens be changed?
Yes, the mount can be easily changed to PL, EF, Sony E, MFT, and Nikon F in a few minutes.
What applications is the Tokina 16-28mm MK II T3 Cinema lens suitable for?
It is suitable for filmmakers who need a wide-angle zoom that covers Full Frame and Vista Vision sensors.
What is an advantage of the parfocal optical design in this lens?
The parfocal optical design allows for zoom racking without losing focus, which is crucial in professional production environments.
