Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) - Fuji X
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Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) - Fuji X
Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) – 1.5x Anamorphic for Cinematic Widescreen with Blue Flares
The Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) is a compact anamorphic cine lens built for Super35 cinema cameras. This Fuji X mount version offers a 1.5x anamorphic squeeze to create a true cinematic widescreen look. It pairs a natural 50mm perspective with anamorphic character, making it suited for portrait-style framing and character-driven shots.
Key optical characteristics
With a bright T2.4 aperture, the lens performs well in lower light and allows precise depth-of-field control. Its anamorphic optics render oval bokeh and elongated horizontal flares. In particular, this blue-flare variant produces classic blue anamorphic streaks that create a high-contrast, cinematic aesthetic.
- 1.5x anamorphic squeeze for widescreen composition
- 50mm focal length for natural perspective and flattering compression
- T2.4 aperture for low-light use and shallow depth of field
- 13-blade iris for smooth, artistic bokeh and subject separation
- Classic blue anamorphic flares for a sci‑fi and high-contrast look
- Oval bokeh and elongated horizontal flares characteristic of anamorphic optics
Build, handling and compatibility
The lens features a compact and lightweight design that suits handheld, gimbal, and drone workflows. It includes standard 0.8 mod geared rings on both focus and aperture to integrate smoothly with professional follow-focus systems. In addition, the lens offers manual focus and aperture control for full creative input.
- Compact, lightweight design ideal for handheld, gimbal, and drone use
- Standard 0.8 mod geared rings for follow-focus compatibility
- Manual focus and aperture control for full creative control
- Precision-engineered anamorphic optics with minimal focus breathing
- Durable all-metal construction for professional reliability
Typical use cases
Use this lens for character-driven cinematography, portrait-style shots, and dramatic storytelling. Because of its blue flare character, the lens works particularly well in action, thriller, and stylized productions where a high-contrast, cinematic streak is desired. Moreover, the 50mm field of view offers a natural look that flatters subjects while preserving cinematic compression.
What’s in the box
- Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) Lens
- Front Lens Cap
- Rear Lens Cap
- Protective Lens Case
Specifications
| Specification | Details |
|---|---|
| Focal length | 50mm |
| Anamorphic squeeze | 1.5x |
| Maximum aperture | T2.4 |
| Iris blades | 13-blade iris |
| Image circle / Coverage | Super35 |
| Mount | Fuji X (this version) |
| Geared rings | Standard 0.8 mod on focus and aperture |
| Focus / Aperture control | Manual focus and aperture |
| Construction | Durable all-metal |
| Flare options | Available in blue, amber, and silver; this variant produces classic blue flares |
FAQ
Question: Which camera formats and mount is this lens intended for?
Answer: This lens is designed for Super35 cinema cameras and this listing is the Fuji X mount version.
Question: Does the lens produce anamorphic flares and what color do they have?
Answer: Yes. The Nanomorph 50mm 1.5x creates elongated horizontal flares and oval bokeh. This blue variant produces classic blue anamorphic streaks for a high-contrast, cinematic feel.
Question: Is the lens suitable for handheld, gimbal, or drone use?
Answer: Yes. The lens has a compact, lightweight design that makes it suitable for handheld, gimbal, and drone setups while maintaining professional features like 0.8 mod geared rings.
Question: Does it support follow-focus systems and how about focus breathing?
Answer: It includes standard 0.8 mod geared rings on focus and aperture for seamless follow-focus operation. The precision anamorphic optics are engineered to exhibit minimal focus breathing.
Question: What control does the operator have over exposure and focus?
Answer: The lens uses manual focus and manual aperture control, allowing the operator full creative control over depth of field and focus transitions.
