Description
Article no.: 27027
The Laowa Nanomorph 35mm T2.4 1.5X S35 (Amber) is a compact anamorphic cine lens built for Super35 cinema cameras. It delivers a true cinematic widescreen image with a 1.5x anamorphic squeeze while keeping a natural 35mm perspective. Filmmakers can use it for narrative work, commercials, music videos, and other creative cinematography where an organic anamorphic aesthetic is desired.
The lens uses precision-engineered anamorphic optics to preserve sharpness and ensure minimal focus breathing. As a result, you get clear details and smooth focus transitions between subjects. With a bright T2.4 aperture, the lens performs well in lower light and allows you to control depth of field precisely.
Its optical design also produces oval bokeh and horizontally stretched flares that are characteristic of anamorphic lenses. The Amber flare option on this version produces warm, golden streaks that emulate sunlit, organic highlights and add a cinematic warmth to footage.
The Nanomorph 35mm features a 13-blade iris. This iris design contributes to a shallow depth of field when shooting wide open and creates soft, pleasing out-of-focus renders that enhance subject separation. You control both focus and aperture manually, allowing full creative control over look and rack focus moves.
The lens has a compact and lightweight construction, making it suitable for handheld rigs, gimbals, and drone setups where space and weight matter. It uses standard 0.8 mod geared rings on both focus and aperture, so it integrates with professional follow-focus systems without extra modification. The build uses durable all-metal construction to meet professional reliability expectations on set.
Laowa offers this Nanomorph series in different flare colors to match your visual goals. This specific version provides a warm amber anamorphic flare. The series is available in blue, amber, and silver flare options. Mount options for this listing include Arri PL and Canon EF, allowing compatibility with many cinema and mirrorless/DSLR systems, depending on mount choice.
| Specification | Detail |
|---|---|
| Focal length | 35mm |
| Maximum aperture | T2.4 |
| Anamorphic squeeze | 1.5x |
| Image format | Super35 (S35) |
| Iris blades | 13-blade iris |
| Flare option (this version) | Amber (warm, golden anamorphic flares) |
| Mounts | Arri PL / Canon EF |
| Focus / Aperture gearing | Standard 0.8 mod geared rings |
| Focus / Aperture control | Manual focus and aperture control |
| Construction | Durable all-metal construction |
Question: Is this lens compatible with Super35 cameras?
Answer: Yes. The Nanomorph 35mm T2.4 1.5X S35 is designed for Super35 format cameras and will cover Super35 sensors when used in the specified mounts.
Question: What visual effect does the Amber flare provide?
Answer: The Amber flare version produces warm, golden, sunlit streaks and horizontal flare characteristics typical of anamorphic optics, adding an organic, cinematic warmth to clips.
Question: Can I use this lens on a gimbal or drone setup?
Answer: Yes. The lens is compact and lightweight by design, making it suitable for handheld, gimbal, and drone cinematography where reduced size and weight are beneficial.
Question: Will it work with professional follow-focus systems?
Answer: Yes. The lens features standard 0.8 mod geared rings on both focus and aperture, which ensures compatibility with most professional follow-focus units.
Question: Is autofocus available with this lens?
Answer: No. The lens uses manual focus and manual aperture control to provide full creative control over focus pulls and exposure adjustment.
Question: What should I expect regarding focus breathing and transitions?
Answer: The lens uses precision-engineered anamorphic optics that minimize focus breathing and provide smooth focus transitions, supporting clean rack focus moves and consistent on-screen framing.
This Laowa Nanomorph 35mm T2.4 1.5X S35 (Amber) clearly targets filmmakers who want a compact anamorphic option with a warm amber flare, manual control, and professional gearing and construction for cinematic production workflows.