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Laowa Nanomorph LF 32mm T2.9 1.5X (Blue) - Arri PL/Canon EF
Laowa Nanomorph LF 32mm T2.9 1.5X (Blue) - Arri PL/Canon EF
Laowa Nanomorph LF 32mm T2.9 1.5X (Blue) - Arri PL/Canon EF - 2
Laowa Nanomorph LF 32mm T2.9 1.5X (Blue) - Arri PL/Canon EF - 3

Laowa Nanomorph LF 32mm T2.9 1.5X (Blue) - Arri PL/Canon EF

£1,616.22
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Delivery: Ordered from external warehouse. Approx 5-12 Days Delivery

  • VAT free purchase available at checkout.
  • BrandLaowa

Description

Article no.: 27189

Laowa Nanomorph LF 32mm T2.9 1.5X (Blue) – 1.5X Anamorphic Squeeze for Large-Format Cinema Cameras

The Laowa Nanomorph LF 32mm T2.9 1.5X (Blue) is an anamorphic lens built for large-format cinema cameras. It provides a natural wide-angle perspective with a 32mm focal length and a 1.5X squeeze factor. This variant includes the blue flare option for a classic sci‑fi look.

Designed for cinematic large-format workflows

The lens targets filmmakers working on narrative films, commercials, documentaries, and music videos who need a wide-angle anamorphic option. Accordingly, Laowa optimized the optical design for large-format sensors to preserve a cinematic feel while delivering modern optical performance.

Optical performance and image character

The Nanomorph LF 32mm uses precision optical elements to achieve sharpness and clarity across the frame. It controls chromatic aberration and maintains consistent performance from center to edge. In addition, the anamorphic design produces elliptical bokeh and pleasing background separation, while the T2.9 aperture supports low-light shooting.

Flare options and visual flexibility

Laowa offers customizable flare characteristics. This model features the blue flare option, which provides a distinct, classic sci‑fi aesthetic. For reference, the lens family also offers silver for a cleaner look and amber for a warmer, vintage tone—providing filmmakers with choices to match their visual goals.

Build, handling and compatibility

The Nanomorph LF 32mm has a compact and lightweight construction that facilitates handheld and gimbal-mounted operation. Consequently, it gives cinematographers more freedom of movement without compromising optical quality. The lens is available in Arri PL and Canon EF mounts to suit different camera systems and professional workflows.

Key features

  • Focal Length: 32mm, ideal wide-angle perspective
  • Anamorphic Squeeze: 1.5X
  • Aperture: T2.9 to T22
  • Mounts: Arri PL, Canon EF
  • Available flare options: blue, silver, amber
  • Compact and lightweight construction
  • Beautiful elliptical bokeh effect
  • Minimum focusing distance: 0.5m
  • Compatible with large-format cinema cameras

What’s in the box

  • Laowa Nanomorph LF 32mm T2.9 1.5X Anamorphic Lens
  • Front and Rear Lens Caps
  • Protective Lens Case

Specifications

Specification Value
Focal Length 32mm
Anamorphic Squeeze 1.5X
Aperture T2.9 to T22
Mounts Arri PL, Canon EF
Flare Options Blue (this model), silver, amber
Minimum Focusing Distance 0.5m
Compatibility Large-format cinema cameras

FAQ

question: Which cameras can I use this lens with?

Answer: The Nanomorph LF 32mm is compatible with large-format cinema cameras and is available in Arri PL and Canon EF mounts to match common professional camera systems.

question: What visual character does the blue flare deliver?

Answer: The blue flare option provides a classic sci‑fi aesthetic. If you prefer other flare types, the lens family also offers silver for a cleaner look and amber for a warmer, vintage feel.

question: Can I use this lens handheld or on stabilizers?

Answer: Yes. The lens has a compact, lightweight construction that facilitates handheld and gimbal-mounted operation, allowing more flexible shooting setups while maintaining optical performance.

question: What aperture range and close focus capabilities does it offer?

Answer: The lens covers an aperture range from T2.9 to T22 and has a minimum focusing distance of 0.5m, which supports shallow depth of field and pleasing background separation at wider apertures.

The Laowa Nanomorph LF 32mm T2.9 1.5X (Blue) combines a wide-angle perspective, an anamorphic 1.5X squeeze, and customizable flare options to give filmmakers practical tools for cinematic storytelling.

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