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Laowa Nanomorph Zoom 28-55mm T2.9 1.5X S35 (Silver) - Arri PL
Laowa Nanomorph Zoom 28-55mm T2.9 1.5X S35 (Silver) - Arri PL
Laowa Nanomorph Zoom 28-55mm T2.9 1.5X S35 (Silver) - Arri PL - 2
Laowa Nanomorph Zoom 28-55mm T2.9 1.5X S35 (Silver) - Arri PL - 3

Laowa Nanomorph Zoom 28-55mm T2.9 1.5X S35 (Silver) - Arri PL

£3,123.60
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Delivery: Ordered from external warehouse. Approx 5-12 Days Delivery

  • VAT free purchase available at checkout.
  • BrandLaowa

Description

Article no.: 27298

Laowa Nanomorph Zoom 28-55mm T2.9 1.5X S35 (Silver) - Arri PL — 1.5X Anamorphic Squeeze for Cinematic Widescreen

The Laowa Nanomorph Zoom 28-55mm T2.9 1.5X S35 (Silver) in Arri PL mount is an anamorphic zoom designed for Super 35 sensors. It delivers a 1.5X anamorphic squeeze that gives images a widescreen cinematic appearance, with characteristic anamorphic flares and elliptical bokeh. Filmmakers can use its 28–55mm range for narrative work, commercials, and high-end productions that require an anamorphic look.

Designed for Super 35 anamorphic storytelling

This lens targets Super 35 cameras and produces a true anamorphic image with a 1.5X squeeze factor. The squeeze produces compressed backgrounds and the distinctive oval bokeh typical of anamorphic optics. In practice, this creates a widescreen aspect suitable for cinematic storytelling while keeping a natural perspective within the frame.

Optical performance and aperture

The lens keeps consistent image quality across the full zoom range thanks to its constant T2.9 aperture. As a result, it supports low-light shooting and gives precise depth-of-field control. The optical construction aims to reduce distortion and chromatic aberration, while producing smooth color rendition and a natural focus roll-off.

Parfocal design, mounts and expandability

Because the lens is parfocal, focus stays consistent when you zoom, enabling smooth zoom moves without losing sharpness. It uses a swappable lens mount system, which increases compatibility across camera platforms. In addition, a 1.33X front-mounted adapter is available to extend the anamorphic squeeze to a full 2X, offering further creative options.

Practical design for production use

The lens features a compact form with a standard 77mm front filter thread, so you can fit filters and accessories without oversized matte boxes or extra adapters. Its compact and lightweight construction makes it suitable for handheld operation, gimbal work, and use on professional cine rigs. Cine-style focus and aperture rings support repeatable, tactile control during shoots.

Flare options and visual style

This model is available in multiple flare variants to help tailor the visual style of your project. The Silver option provides a neutral appearance. The Blue option leans toward a sci-fi aesthetic, and the Amber option yields a warmer, vintage look. These choices let cinematographers pick the flare character that best matches their creative intent.

Key Features

  • 28-55mm anamorphic zoom lens for Super 35 sensors — a flexible mid-range zoom covering common cinematic focal lengths.
  • 1.5X anamorphic squeeze for true cinematic widescreen imagery — produces compressed backgrounds and anamorphic character.
  • Constant T2.9 aperture for excellent low-light performance — maintains consistent brightness throughout the zoom range.
  • Parfocal design to maintain focus across the zoom range — ideal for seamless zoom moves.
  • Swappable lens mount system for multi-camera compatibility — allows the lens to be used on different camera platforms.
  • 1.33X front-mounted adapter available to achieve a full 2X squeeze — expands creative anamorphic options when needed.
  • Compact 77mm front filter thread for easy filter and accessory use — avoids the need for oversized matte boxes in many setups.
  • Available flare options: blue, silver, and amber — select flare character to suit your project’s aesthetic.
  • Smooth elliptical bokeh and organic focus roll-off — delivers the classic anamorphic out-of-focus rendition.
  • Precision optical design with minimal distortion and chromatic aberration — supports clean images and color rendering.
  • Compact and lightweight construction for easy handheld and gimbal use — suitable for mobile production workflows.
  • Designed for professional cinematography with cine-style focus and aperture rings — enables repeatable and precise control on set.
  • Super 35 format coverage for immersive storytelling — optimized for Super 35 sensors and workflows.

What's in the box

  • Laowa Nanomorph Zoom 28-55mm T2.9 1.5X S35 Lens
  • Front and Rear Lens Caps
  • Protective Lens Case

Specifications

Specification Detail
Focal length 28-55mm
Anamorphic squeeze 1.5X
Maximum aperture Constant T2.9
Format coverage Super 35
Mount Arri PL
Front filter thread 77mm
Parfocal Yes
Front-mounted adapter 1.33X adapter available (to reach 2X squeeze)
Flare options Blue, Silver, Amber
Focus/Aperture rings Cine-style rings for professional use

FAQ

Question: Will this lens work on my camera sensor?

Answer: The Laowa Nanomorph Zoom 28-55mm T2.9 is designed specifically for Super 35 sensors. It delivers the intended anamorphic image characteristics when used on Super 35-format cameras.

Question: Can I use different mounts with this lens?

Answer: Yes. The lens uses a swappable lens mount system, which makes it compatible with multiple camera platforms. The model described here is supplied in an Arri PL mount.

Question: How do the flare options change the look?

Answer: The flare variants let you choose the visual character: Blue gives a classic sci‑fi feel, Silver offers a neutral and versatile look, and Amber brings a warm, vintage tone to highlights and flares.

Question: Can I get a full 2X anamorphic squeeze?

Answer: You can achieve a full 2X squeeze by using the available 1.33X front-mounted adapter in combination with the lens’s native 1.5X squeeze.

Question: Is the lens suitable for handheld or gimbal work?

Answer: Yes. The lens is described as compact and lightweight, making it suitable for handheld shooting, gimbal setups, and use on professional cine rigs while retaining cine-style controls for focus and aperture.

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