Description
Article no.: 29077
The NiSi Athena Prime 40mm T1.9 in E-Mount delivers a fast T1.9 aperture in a cine-style prime designed for filmmakers who need consistent optics across a matched lens series. This listing is for the E‑Mount version without the Drop‑In filter system.
The Athena Prime family covers a broad set of focal lengths to suit many shooting scenarios, from ultra-wide to portrait focal lengths. The series includes these focal lengths and maximum T-stops:
The Athena Prime series ships in multiple mount options to suit different camera systems. Available mounts include ARRI PL, Canon RF, Sony E, Panasonic/Leica L and Fuji G. Note that the E‑Mount option is offered in two variants: with or without the Drop‑In filter system. This specific product is the E‑Mount without the Drop‑In filter.
The series features a proprietary rear filtration system. Depending on mount selection:
Important notes from the manufacturer:
The Athena Primes are designed for convenient use on professional rigs. All lenses in the series are similar in weight, which reduces the need to rebalance a gimbal when you swap lenses. Also, except for the 14mm lens, lenses in the series share a 77mm front filter thread.
Both aperture and focus rings are matched across the range for consistent tactile control. Each lens offers a 300° focus rotation and features fluorescent focus scales in both imperial and metric units for precise focus pulls. The focus and iris gears use the standard 0.8 mod, ensuring compatibility with a wide range of follow focus and matte box systems.
The series emphasizes controlled aberrations and fine detail. NiSi specifies ultra‑low chromatic aberration and micro‑contrast control across the Athena Primes. These design choices aim to deliver finer image details while keeping optical artifacts to a minimum.
NiSi offers a 77mm close‑up lens (sold separately) that reduces minimum focus distance to create macro effects. This close‑up accessory is compatible with Athena lenses that use the 77mm thread.
| Specification | Value (or series note) |
|---|---|
| Model | NiSi Athena Prime 40mm |
| Maximum aperture | T1.9 |
| Mount (this listing) | Sony E‑Mount (without Drop‑In filter) |
| Series image circle | 46mm |
| Filter thread (front) | 77mm (shared across series except 14mm) |
| Focus rotation | 300° |
| Focus scales | Fluorescent, imperial and metric |
| Focus / iris gear | Standard 0.8 mod |
| Drop‑In / rear filter | This E‑Mount version: without Drop‑In filter. Series supports Drop‑In (RF, L, G) and rear filter (PL). |
| Weather sealing for Drop‑In filter | Provided by NiSi for Drop‑In filter where applicable |
Because the Athena Primes are matched for weight, gear and handling, you can switch focal lengths quickly without major rebalancing on gimbals. Use the 300° focus throw and fluorescent scales for accurate manual focus pulls. If you need closer focusing for macro-style shots, add the NiSi 77mm close‑up lens.
Question: Is this 40mm Athena Prime the E‑Mount version with the Drop‑In filter?
Answer: No. This specific listing is the Sony E‑Mount version without the Drop‑In filter. NiSi also offers an E‑Mount variant that includes the Drop‑In filter system.
Question: Will this lens work on full‑frame and larger sensors?
Answer: Yes. The Athena Prime series has an image circle of 46mm, which NiSi specifies as suitable for full‑frame and larger formats.
Question: Do I need to rebalance my gimbal when switching Athena lenses?
Answer: Generally no. All Athena Prime lenses are similar in weight, which reduces the need to rebalance when changing lenses—making them convenient for fast lens swaps on stabilizers.
Question: Can I use Drop‑In filters with a Sony FX9?
Answer: No. NiSi notes that the Sony FX9 cannot use the E‑Mount with Drop‑In filters. If Drop‑In filtration is required, check mount compatibility carefully.
Question: What should I use to ensure infinity focus with Athena Primes?
Answer: To reach accurate infinity focus and clear images, use the Drop‑In clear filter for RF, L, G and E mounts where those versions include it, and use the rear filter on PL‑mount lenses.
Question: Are follow focus systems compatible with this lens?
Answer: Yes. The lens uses standard 0.8 mod focus and iris gears, making it compatible with most follow focus and matte box systems used in professional cinema workflows.