Description
Article no.: 28985
This listing is for the NiSi Athena Prime 50mm T1.9 in Sony E-mount supplied without the Drop-In filter. The 50mm lens is part of the Athena Prime series and shares many design and performance characteristics with the rest of the range. Below you will find clear details about its optical characteristics, mechanical design, filter options, and compatibility notes relevant to filmmakers and videographers.
The 50mm model has a maximum aperture of T1.9, which matches several other focal lengths in the Athena series (25/35/40/50 & 85mm). The series uses T-stop ratings to indicate the actual light transmission through the lens, helping to ensure consistent exposure when switching between focal lengths.
Additionally, the Athena series offers ultra-low chromatic aberration and micro-contrast control. These characteristics help deliver finer image details and controlled color fringing across the frame. The lenses in the series produce an image circle of 46mm, making them suitable for full-frame and large-format sensors.
The Athena 50mm E-mount shares mechanical features with the rest of the series to simplify on-set workflows. Aperture and focus rings are matched across the range, so the feel and actuation remain consistent when you swap lenses. Focus rotation is 300°, and fluorescent focus scales are provided in both imperial and metric units for precise focus pulls in a variety of shooting scenarios.
Both focus and iris gears use the standard 0.8 mod, ensuring broad compatibility with follow focus systems and matte box gear. All Athena Prime lenses are similar in weight, which means you do not need to rebalance your gimbal when switching between Athena lenses (note: the 14mm is the exception for filter thread, not explicitly for weight).
The Athena Prime series includes a proprietary rear filtration system. Certain mounts support a Drop-In filter mount, which provides flexibility and creative control for filmmakers. Specifically, RF-, L- and G-mount lenses offer a Drop-In filter option. E-mount lenses, including the 50mm, are available in two versions: with Drop-In filter and without Drop-In filter. This listing is for the E-mount version without the Drop-In filter.
For optimal performance and to achieve infinity focus with clear images, NiSi states that it is important to use the Drop-In clear filter on RF-, L-, G- & E-mounts and to use the rear filter on PL-mounts with the lens. NiSi also provides weather sealing for the Drop-In filter, where applicable.
NiSi offers a 77mm close-up lens that can reduce the minimum focus distance and create macro effects; this accessory is sold separately. Also, when using Drop-In filter systems on supported mounts, NiSi provides weather sealing for those filters.
This 50mm T1.9 E-mount lens suits filmmakers and videographers who need a mid-tele focal length with a bright T1.9 aperture for shallow depth of field and consistent exposure across similar focal lengths in the Athena series. The matched mechanical layout, large focus throw, and standard 0.8 mod gears make it practical for narrative shoots, focus-pull-heavy setups, and rigs that use follow focus and matte box systems.
| Specification | Detail |
|---|---|
| Model | NiSi Athena Prime 50mm |
| Maximum aperture (T-stop) | T1.9 |
| Mount | Sony E (version without Drop-In filter) |
| Image circle | 46mm |
| Front filter thread | 77mm (shared across the series except 14mm) |
| Focus rotation | 300° |
| Focus scales | Fluorescent, imperial and metric |
| Gears | 0.8 mod focus and iris gears |
| Chromatic control | Ultra-low chromatic aberration and micro-contrast control |
| Focus breathing | Designed to minimize focus breathing |
| Drop-In filter | E-mount available in versions with and without Drop-In; this listing is without Drop-In |
| Weather sealing | Weather sealed for the Drop-In filter (where used) |
| Weight / Balance | All Athena primes are similar in weight to avoid rebalancing on a gimbal |