Tokina 16-28mm MK II T3 Cinema for E Mount

Tokina 16-28mm MK II T3 Cinema for E Mount – Wide-angle coverage up to Vista Vision

The Tokina 16-28mm MK II T3 Cinema lens for E Mount delivers wide-angle performance that covers Full Frame and beyond. It combines a modern optical design with a professional, all-metal build. This lens is a redesigned member of the Vista series, making it a strong option for filmmakers who need consistent handling and broad format coverage.

Redesigned to match the Vista series

Tokina reworked the popular 16-28mm cinema lens to share the same physical characteristics as other Vista series lenses. As a result, the MK II features a more robust, all-metal housing. It also offers a similar focus throw and identical gear positions to the Vista Prime lenses, allowing smoother integration into lens kits that mix primes and zooms.

Optical performance and behaviour

The lens uses a parfocal optical design, so you can perform zoom racking without losing focus. Distortion is very well controlled, and the lens shows limited chromatic aberration when shooting at maximum wide open aperture. In short, the optical design supports professional production needs while maintaining wide-angle image quality.

Professional controls and markings

The 16-28mm MK II includes clear focus, iris, and zoom marks. These marks are designed to meet the standards of professional productions, making it easier for focus pullers and camera assistants to work accurately on set.

Mount versatility

The lens features the Tokina Cinema Vista Lens Mount system, which can be exchanged between common cinema and still/cinema hybrid mounts. While this listing is for E Mount, the mount can be changed to PL, EF, Sony E, MFT, and Nikon F in minutes for maximum versatility on different camera platforms.

Use cases

• Filmmakers needing a wide-angle zoom that covers Full Frame and Vista Vision sensors.
• Production environments that require durable, all-metal lens housings and professional markings.
• Camera crews who want consistent handling between Vista Prime lenses and this zoom for smooth lens swaps and matching gear positions.

Specifications

FAQ

• Question: Is this lens compatible with Sony E mount cameras?

  Answer: Yes. This listing is for the E Mount version. The Tokina Cinema Vista Lens Mount system also allows the mount to be exchanged to PL, EF, MFT, or Nikon F when needed for other camera systems.

• Question: Will it cover large format sensors like Vista Vision?

  Answer: Yes. The lens provides Full Frame/Vista Vision sensor coverage, making it suitable for cameras with larger sensor formats.

• Question: Can I zoom rack without losing focus?

  Answer: Yes. The lens uses a parfocal optical design that allows zoom racking without loss of focus, which is useful for continuous shots that require zoom adjustments.

• Question: Is the lens built for professional production workflows?

  Answer: Yes. The 16-28mm MK II features an all-metal design and clear focus/iris/zoom marks that meet professional production standards. It also matches the focus throw and gear positions of Vista Prime lenses for consistent handling on set.

• Question: How does the lens perform optically at wide open apertures?

  Answer: The lens controls distortion well and shows limited chromatic aberration when shooting at maximum wide open aperture, supporting high-quality wide-angle imagery in demanding conditions.