Description
Article no.: 31962
The Tokina 16-28mm MK II T3 Cinema lens delivers wide-angle performance that covers Full Frame and Vista Vision formats. Designed as a second-generation Vista series lens, it retains compatibility with professional cinema workflows while offering the robustness expected for demanding productions.
Tokina redesigned the 16-28mm cinema lens to match the physical characteristics of the other Vista series lenses. Consequently, the MK II uses a more robust, all-metal housing. Moreover, it offers a similar focus throw and identical gear positions to the Vista Prime lenses, which simplifies lens changes and on-set operation.
The lens uses a parfocal optical design, so you can rack the zoom without losing focus. In addition, distortion is very well controlled, and the lens shows limited chromatic aberration even when shooting wide open. The optical design provides coverage up to Full Frame and Vista Vision sensors, making it a true wide-angle option for larger formats.
The 16-28mm MK II features an all-metal design with clear focus, iris, and zoom marks. These markings meet the standards of professional productions and help with consistent setups, repeatable pulls, and collaborative crew workflows.
The lens ships for MFT mount in this listing. Furthermore, it features the Tokina Cinema Vista Lens Mount system, which can be exchanged to other mounts in minutes for added versatility. Available exchangeable mounts include PL, EF, Sony E, MFT, and Nikon F, enabling use with a wide range of cinema and still/cinema hybrid cameras.
| Specification | Detail |
|---|---|
| Focal length | 16-28mm |
| T-stop | T3 |
| Mount (this listing) | MFT |
| Interchangeable mounts | PL, EF, Sony E, MFT, Nikon F |
| Coverage | Full Frame / Vista Vision |
| Optical design | Parfocal (zoom racking without loss of focus) |
| Housing | All metal with focus/iris/zoom marks |
Question: Does this lens cover Full Frame and Vista Vision sensors?
Answer: Yes. The Tokina 16-28mm MK II provides Full Frame and Vista Vision coverage as stated, making it suitable for larger-format capture.
Question: Is the lens parfocal so I can zoom while maintaining focus?
Answer: Yes. The lens uses a parfocal optical design, which allows zoom racking without loss of focus during shots.
Question: Can I use this lens on cameras other than MFT bodies?
Answer: The listing is for the MFT mount, but the Tokina Cinema Vista Lens Mount system is exchangeable. You can change the mount to PL, EF, Sony E, MFT, or Nikon F in minutes for compatibility with many cinema and hybrid cameras.
Question: What build and on-set features help professional productions?
Answer: The lens has an all-metal housing and includes focus, iris, and zoom marks designed to meet professional production standards. It also matches the physical characteristics of other Vista series lenses for easier lens swaps and consistent gear positioning.
Question: How does the lens handle distortion and chromatic aberration?
Answer: The lens controls distortion well and shows limited chromatic aberration even when used at maximum wide open aperture, according to the design description.