Description
Article no.: 32028
The Tokina Vista-C 105mm T1.5 Cinema PL combines a fast T1.5 aperture with large-format compatibility to deliver a classic, filmic look for modern digital cinema cameras. Built as part of the Vista-C series, this lens pairs a refined vintage aesthetic with professional cine mechanics designed after consultation with working DPs and rental houses.
The Vista-C 105mm is optically tuned for a vintage, organic image. Expect gentle field distortion, natural falloff and softer edges that give images a more expressive, analogue feel. The lens renders slightly lower contrast compared to more neutral optics, while preserving high central resolution suitable for large-format sensors.
Coatings and optical design produce warm overall rendering with expressive blue and red flare tones. The Vista-C line reduces green cast compared to earlier Vista designs, producing a more balanced color response for skin tones and highlights. Bokeh appears smooth and pleasing thanks to the lens design and iris shape.
The 105mm covers full-frame and large-format sensors with an image circle larger than 46.7 mm. As a result, it supports “full-frame plus” cameras and is compatible with ARRI ALEXA 65 Open Gate formats. Across the Vista-C series, lenses share a fast T1.5 maximum aperture and a T22 minimum aperture, enabling shallow depth-of-field work and strong low-light performance when needed.
The lens exhibits virtually no focus breathing, which helps preserve framing during pulls and contributes to smooth focus transitions. The 105mm uses cinema-standard mechanics: robust all-metal housing, 0.8 MOD focus and iris gears, and approximately 300° of focus throw for precise manual control.
Design consistency across the Vista-C series speeds production workflows. Each lens shares the same exterior form factor, including a 114 mm front outside diameter and consistent gear positions. Consequently, lens swaps are fast and predictable when using matte boxes and FIZ systems. A 9-blade curved iris maintains smooth, rounded out-of-focus highlights as you stop down.
Filmmakers seeking an expressive, filmic look with the reliability of modern cine lenses will find the Vista-C 105mm well suited to narrative features, television series, commercials and music videos. The lens balances characterful rendering with the mechanical standards expected on professional sets, making it appropriate for large-format productions that require both aesthetic and operational consistency.
| Specification | Detail |
|---|---|
| Focal length | 105 mm |
| Maximum aperture | T1.5 |
| Minimum aperture | T22 |
| Mount | ARRI PL |
| Image circle / Coverage | >46.7 mm (supports full-frame plus and ARRI ALEXA 65 Open Gate) |
| Housing | Robust all-metal (series available in several mounts) |
| Focus gears | 0.8 MOD |
| Focus rotation | Approximately 300° |
| Front outside diameter | 114 mm |
| Iris | 9-blade curved iris |
| Focus breathing | Virtually no focus breathing |
Question: Will the Tokina Vista-C 105mm T1.5 cover large-format sensors such as ARRI ALEXA 65?
Answer: Yes. The Vista-C series offers an image circle larger than 46.7 mm and explicitly supports “full-frame plus” sensors and ARRI ALEXA 65 Open Gate formats, so the 105mm is suitable for large-format shooting.
Question: How does the 105mm render skin tones and highlights compared to earlier Vista lenses?
Answer: The Vista-C optics provide a warmer overall rendering with reduced green cast and redesigned coatings. You can expect pleasing skin tones, warm red and blue flare characteristics, and slightly lowered contrast for a filmic look while keeping high central resolution.
Question: Is this lens practical for production use with matte boxes and follow focus systems?
Answer: Yes. The lens uses a consistent exterior form factor across the series—114 mm front outside diameter and standardized gear positions—plus cinema-standard 0.8 MOD gears and approximately 300° of focus rotation to facilitate fast swaps and precise manual control on set.
Question: What types of productions benefit most from the Vista-C 105mm?
Answer: The 105mm suits narrative features, series work, commercials and music videos where a filmic, expressive look is desired but production efficiency and large-format coverage remain essential. Its blend of characterful rendering and professional mechanics supports creative and technical demands on modern sets.