Description
Article no.: 32034
The Tokina Vista-C 135mm T1.5 Cinema MFT brings the Vista-C series’ distinctive, characterful look to an MFT-mounted 135mm option. It pairs a fast T1.5 maximum aperture with optics and coatings tuned for a refined vintage aesthetic, while keeping professional cine mechanics for reliable production use.
Vista-C primes are optically tuned to create a classic, organic image. Expect gentle field distortion, natural light falloff, softer edges and smooth, pleasing bokeh. Contrast is slightly lowered on purpose, producing a warmer overall rendering and reduced green cast compared to earlier Vista designs.
The lenses also produce expressive blue and red flare tones thanks to redesigned coatings. Despite the vintage-inspired look, the lenses retain high central resolution suitable for modern large-format digital cinema cameras, letting you use a filmic rendering without sacrificing sharpness where it matters most.
The Vista-C series covers full-frame and large-format sensors with an image circle exceeding 46.7 mm. That means the series supports “full-frame plus” cameras and even ARRI ALEXA 65 Open Gate. Across the range, the lenses share a fast T1.5 maximum aperture and a T22 minimum aperture, enabling very shallow depth of field work as well as stopped-down shooting when needed.
Mechanically, Vista-C primes use a robust, all-metal housing. The series is available in several mounts; this product is presented as the MFT mount option. Lenses in the series are designed with 0.8 MOD cine gears and approximately 300° of focus rotation for precise manual control and smooth focus pulls with minimal distractions.
All lenses share the same exterior form factor. They have a 114 mm front outside diameter and consistent gear positions. This uniform design makes lens swaps fast and predictable when using matte boxes and focus/iris control systems. Additionally, a 9-blade curved iris helps maintain smooth, rounded out-of-focus highlights as you stop down.
With its blend of classic cinematic character and modern optical/mechanical design, the Vista-C 135mm T1.5 MFT is suitable for narrative features, series, commercials and music videos. It works well wherever an expressive, filmic look is desired without sacrificing production efficiency or large-format coverage.
| Specification | Details |
|---|---|
| Focal length | 135 mm |
| Maximum aperture | T1.5 |
| Minimum aperture | T22 |
| Image circle / coverage | Image circle >46.7 mm; suitable for full-frame plus and sensors up to 65 mm, including ARRI ALEXA 65 Open Gate |
| Mount | MFT (this product variant); series available in several mounts including ARRI PL |
| Focus / iris gears | 0.8 MOD cine gears |
| Focus rotation | Approximately 300° |
| Front outside diameter | 114 mm |
| Iris | 9-blade curved iris |
| Optical character | Vintage-inspired: softer edges, natural falloff, reduced contrast, warm rendering and expressive red/blue flares |
Question: Will the Vista-C 135mm T1.5 work on large-format cameras such as ARRI ALEXA 65?
Answer: Yes. The Vista-C series has an image circle exceeding 46.7 mm and is described as suitable for sensors up to 65 mm, including ARRI ALEXA 65 Open Gate. This 135mm variant is part of that series.
Question: Does this lens breathe when pulling focus?
Answer: The Vista-C primes are designed with near-zero focus breathing, enabling smoother focus pulls without distracting changes in angle of view.
Question: What mechanical features help with fast lens swaps and rigging?
Answer: The series shares a common exterior form factor with a 114 mm front outside diameter and consistent gear positions, which speeds up lens changes and keeps matte box and FIZ system setups predictable.
Question: Is the 135mm T1.5 suitable for portrait and tight framing work?
Answer: Yes. The fast T1.5 aperture allows for shallow depth of field and pleasing bokeh, making it well suited to tight portraits and selective subject isolation in narrative and commercial shooting.
Question: What kind of flare and color rendering can I expect?
Answer: Expect warmer overall rendering with reduced green cast and expressive red and blue flare tones due to redesigned coatings, giving footage a classic, filmic character while maintaining central resolution.