Description
Article no.: 31999
The Tokina Vista-C 21mm T1.5 Cinema in Canon EF mount brings the Vista-C series’ large-format optics and cinematic character to Canon EF-equipped camera systems. It combines a fast T1.5 maximum aperture with the series’ distinctive vintage-inspired rendering. The lens is part of a family developed with working DPs and rental houses to deliver a characterful image while keeping modern, professional cinema mechanics.
Vista-C primes are optically tuned for a refined, vintage aesthetic. Expect gentle field distortion and natural falloff, which give images a more organic sense of depth. The design yields softer edges and smooth, pleasing bokeh thanks to the 9-blade curved iris.
Contrast is slightly lowered on purpose to create a classic look. At the same time, the lenses produce expressive blue and red flare tones with a warmer overall rendering and reduced green cast compared to earlier Vista designs. Despite this character, the lenses retain high center resolution suitable for modern large-format digital cinema cameras.
The Vista-C series covers full-frame and large-format sensors with an image circle exceeding 46.7 mm, supporting “full-frame plus” cameras and even ARRI ALEXA 65 Open Gate. Across the range, lenses share a fast T1.5 maximum aperture and a T22 minimum aperture, enabling shallow depth-of-field work and controlled stopping down.
Additionally, the Vista-C optics deliver virtually no focus breathing, which helps preserve framing during pulls. The combination of fast aperture and minimal breathing makes these primes well suited for cinematic shallow-depth-of-field techniques and precise focus transitions.
Mechanically, Vista-C lenses are built in a robust all-metal housing to meet the demands of professional production. The series is offered in several different mounts; this listing specifies the Canon EF version while retaining the core mechanical design traits of the family.
The lenses come with 0.8 MOD cine gears and approximately 300° of focus rotation, which give operators fine, predictable manual control and smooth follow-focus operation. Each lens shares the same exterior form factor, including a consistent 114 mm front outside diameter and standardized gear positions to make lens swaps quick and predictable when using matte boxes and FIZ systems.
With their blend of classic cinematic character and contemporary optical performance, Vista-C primes suit a wide range of productions. Use them for narrative features, series work, commercials and music videos where a more expressive, filmic look is desired. At the same time, the lenses’ large-format coverage and professional mechanics support efficient production workflows on modern cinema cameras.
| Specification | Detail |
|---|---|
| Product | Tokina Vista-C 21mm T1.5 Cinema |
| Mount | Canon EF |
| Maximum aperture | T1.5 |
| Minimum aperture | T22 |
| Image circle | >46.7 mm (full-frame and large-format coverage) |
| Front outside diameter | 114 mm |
| Focus rotation | Approximately 300° |
| Iris | 9-blade curved iris |
| Cine gears | 0.8 MOD |
| Coverage note | Suitable for sensors up to 65 mm and ALEXA 65 Open Gate |
Question: Is the Tokina Vista-C 21mm T1.5 suitable for large-format sensors?
Answer: Yes. The Vista-C series provides an image circle larger than 46.7 mm, which supports full-frame plus sensors and is specified as suitable up to 65 mm and for ARRI ALEXA 65 Open Gate.
Question: Will I see focus breathing when pulling focus?
Answer: The Vista-C primes are designed with virtually no focus breathing, so you should experience minimal change in angle of view during focus pulls, allowing smoother, less distracting transitions.
Question: Does this listing include the Canon EF mount specifically?
Answer: Yes. This product listing is for the Tokina Vista-C 21mm T1.5 in Canon EF mount. The series itself is available in several different mounts, while retaining the same mechanical and optical design characteristics.
Question: How does the lens handle mechanically on set?
Answer: Mechanically, the Vista-C lenses feature an all-metal housing, standardized 114 mm front diameter and consistent gear positions. They use 0.8 MOD cine gears and offer approximately 300° of focus rotation for precise manual control, which speeds up lens swaps and integrates well with matte boxes and follow-focus systems.
Question: What kind of image character can I expect for narrative or commercial work?
Answer: Expect a vintage-inspired image with gentle falloff, softer edges, warm red and blue flare tones, and reduced green bias. These traits provide a classic, filmic look while maintaining high center resolution for modern cinema production.