0
Your cart
Tokina Vista-P 18mm T1.5 Cinema PL

Tokina Vista-P 18mm T1.5 Cinema PL

£8,040.51
Add to list of favorites
Read more...

Delivery: Ordered from external warehouse. Approx 5-12 Days Delivery

  • VAT free purchase available at checkout.
  • BrandTokina

Description

Article no.: 31989

Tokina Vista-P 18mm T1.5 Cinema PL – Fast T1.5 with vintage-style swirly Petzval-type bokeh

The Tokina Vista-P 18mm T1.5 Cinema PL is a large-format cine prime that blends vintage-inspired image character with modern cinema mechanics. It belongs to the Vista-P series, which adapted the original Vista Prime design to increase spacing between optical elements and produce a distinctive, expressive rendering. This 18mm variant preserves that look while fitting into contemporary large-format workflows.

Design and image character

Vista-P lenses aim for a lower-contrast, vintage-style aesthetic. The optical design intentionally increases spacing between elements to create stronger spherical distortion and a swirly, Petzval-type bokeh. At the same time, the lens maintains crisp resolution in the image center and controls chromatic aberration so the result remains usable on high-resolution capture systems.

The 18mm T1.5 gives cinematographers the ability to combine a characterful edge rendering with clear central detail, producing images that feel classic yet compatible with modern large-format imagery.

Optical performance

This lens series is built around a fast T1.5 maximum aperture, which enables shallow depth of field and greater flexibility in low light. The iris is a 9-blade curved design, producing smooth, rounded bokeh. Optically, Vista-P emphasizes increased spherical distortion and swirly background rendering while keeping chromatic aberration low and resolution high in the center.

Focus breathing is minimized to keep reframing during focus pulls subtle and predictable. These optical choices make the 18mm Vista-P well suited to creative projects that want a stylized look without sacrificing practical image quality for large-format capture.

Mechanical features and consistency

Toka Vista-P cinema primes use robust, all-metal cine housings with standard cine gearing and matched physical layouts across the series. The lenses offer 0.8 MOD focus and iris gears and approximately 300° of focus rotation. Gear positions and a consistent front diameter simplify lens changes and accessory setup on set.

The front diameter is matched across the series, and the 18mm shares the same 114 mm front diameter and 112 mm front filter thread as other Vista-P primes. That consistency speeds work with matte boxes, follow-focus systems and FIZ setups.

Compatibility and coverage

Vista-P lenses provide a large 46.7 mm image circle. This coverage supports full-frame, VistaVision and digital 65 mm sensors, making the series suitable for high-resolution capture up to 8K. Mount options for the Vista-P family include PL, EF, MFT, E and LPL, giving flexibility across a wide range of cinema cameras and rental packages.

The series is available both as newly produced lenses and as a one-way modification to existing Vista Primes, offering an option for productions that already use Vista glass but want the distinctive Vista-P rendering.

Key features

  • Vintage-style, lower-contrast rendering with strong spherical distortion and swirly Petzval-type bokeh
  • Fast T1.5 maximum aperture with T22 minimum, 9-blade curved iris and smooth, rounded bokeh
  • Large-format coverage with a 46.7 mm image circle, suitable for full-frame, VistaVision and 65 mm digital sensors
  • High resolution in the image center with controlled chromatic aberration and a more characterful look toward the edges
  • Near-zero focus breathing and approximately 300° focus rotation for precise, repeatable focus pulls
  • 0.8 MOD cine gears, all-metal housing, and matched 114 mm front diameter / 112 mm filter thread across the series
  • Multiple mount options including PL, EF, MFT, E and LPL for broad camera compatibility

Typical use cases

The Tokina Vista-P 18mm T1.5 is well suited to narrative productions, music videos, commercials and any project that benefits from expressive, stylized bokeh combined with practical large-format mechanics. Filmmakers can use it when they want a distinct vintage character—particularly swirly background rendering—while retaining modern usability on high-resolution cinema cameras.

Specifications

Specification Detail
Maximum aperture T1.5
Minimum aperture T22
Iris 9-blade curved iris
Image circle 46.7 mm
Coverage Full-frame, VistaVision and digital 65 mm sensors
Focus breathing Near-zero
Focus rotation Approximately 300°
Gearing 0.8 MOD for focus and iris
Housing All-metal cine housing
Front diameter 114 mm
Filter thread 112 mm
Mount options PL, EF, MFT, E and LPL

Frequently asked questions

Question: Will the 18mm Vista-P cover my full-frame or VistaVision camera?
Answer: Yes. The Vista-P series provides a 46.7 mm image circle that covers full-frame, VistaVision and digital 65 mm sensors, making the 18mm suitable for those large-format systems.

Question: How does the bokeh and contrast differ from standard modern cine primes?
Answer: The Vista-P design intentionally lowers contrast and increases spherical distortion to create a vintage, swirly Petzval-type bokeh. You will see crisp center resolution with more stylized rendering toward the edges, which produces a distinct, characterful image compared with neutral modern primes.

Question: Can I use the 18mm Vista-P with matte boxes and follow-focus systems easily?
Answer: Yes. The series uses standardized 0.8 MOD gears, approximately 300° of focus rotation, and a consistent 114 mm front diameter with a 112 mm filter thread. These matched dimensions and gear positions simplify lens changes and accessory setup on set.

Question: Is the Vista-P available as a modification for existing Vista Primes?
Answer: The Vista-P series is offered both as new lenses and as a one-way modification to existing Vista Primes, providing an option for productions that already use Vista glass but want the Vista-P rendering.

Back to top