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Tokina Vista-P 21mm T1.5 Cinema Canon EF

Tokina Vista-P 21mm T1.5 Cinema Canon EF

£8,171.25
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Delivery: Ordered from external warehouse. Approx 5-12 Days Delivery

  • VAT free purchase available at checkout.
  • BrandTokina

Description

Article no.: 32040

Tokina Vista-P 21mm T1.5 Cinema Canon EF – Fast T1.5 Large-Format Prime with Vintage-Style, Swirly Bokeh

The Tokina Vista-P 21mm T1.5 Cinema lens brings an expressive, vintage-inspired look to large-format cinema cameras while keeping modern optical control. This Canon EF–mount version pairs a fast T1.5 aperture with the updated Vista-P optical design to produce lower-contrast images, strong spherical distortion and a distinctive swirly, Petzval-type bokeh.

Series background and design intent

Vista-P cinema primes build on the original Vista Prime series. Tokina updated the optical layout by increasing spacing between elements, which creates a more expressive image character. At the same time, the lenses retain modern reliability and precision for professional cinematography workflows.

Because the series targets large-format capture, Vista-P lenses suit cameras used for narrative, music videos, commercials and other productions that want stylized rendering combined with robust cine mechanics.

Optical characteristics

  • Fast T1.5 maximum aperture for shallow depth of field and low-light flexibility, with a minimum aperture of T22.
  • 9-blade curved iris that produces smooth, rounded bokeh.
  • Optically tuned to deliver reduced contrast, crisp central sharpness and more stylized rendering toward the edges.
  • Increased spherical distortion and swirly Petzval-type background rendering for a vintage look while maintaining low chromatic aberration.
  • Near-zero focus breathing, so reframing during focus pulls remains subtle and repeatable.

Mechanical design and workflow features

Tokina designed Vista-P lenses with practical cinema mechanics and consistency across the series. They feature a robust all-metal cine housing and 0.8 MOD focus and iris gears to integrate easily with follow focus and motor systems.

  • Approximately 300° of focus rotation for precise, repeatable focus pulls.
  • Matched 114 mm front diameter and a 112 mm front filter thread across the series to speed lens changes, matte box use and FIZ setups.
  • Gear positions are matched across focal lengths, simplifying swaps during production.

Coverage, resolution and mounts

Vista-P lenses provide a large 46.7 mm image circle. Therefore they cover full-frame sensors, VistaVision formats and digital 65 mm sensors. This coverage makes the series suitable for high-resolution capture up to 8K.

The series is available in multiple mount options to fit a wide range of cinema cameras and rental packages. Mount options include PL, EF, MFT, E and LPL. This particular product is the Canon EF–mount 21mm variant.

Availability and modification option

You can obtain Vista-P optics as new lenses. Additionally, Tokina offers a one-way modification of existing Vista Primes to the Vista-P optical specification. This option provides productions that already use Vista Primes an additional creative path without replacing an entire set.

Key features

  • Vintage-style, lower-contrast rendering with strong spherical distortion and swirly Petzval-type bokeh
  • Fast T1.5 maximum aperture with T22 minimum, 9-blade curved iris and smooth, rounded bokeh
  • Large-format coverage with a 46.7 mm image circle, suitable for full-frame, VistaVision and 65 mm digital sensors
  • High resolution in the image center with controlled chromatic aberration and a more characterful look toward the edges
  • Near-zero focus breathing and approximately 300° focus rotation for precise, repeatable focus pulls
  • 0.8 MOD cine gears, all-metal housing, and matched 114 mm front diameter / 112 mm filter thread across the series
  • Multiple mount options including PL, EF, MFT, E and LPL for broad camera compatibility
Specification Details
Focal length 21mm
Mount (product) Canon EF
Series mount options PL, EF, MFT, E, LPL
Maximum aperture T1.5
Minimum aperture T22
Iris 9-blade curved iris
Image circle 46.7 mm (large-format coverage)
Coverage Full-frame, VistaVision and 65 mm digital sensors
Resolution suitability Suitable for capture up to 8K
Focus rotation Approximately 300°
Gearing 0.8 MOD focus and iris gears
Front diameter / Filter thread 114 mm front diameter / 112 mm filter thread
Housing All-metal cine housing

Typical use cases

Use the Tokina Vista-P 21mm T1.5 when you want a stylized, characterful image with modern cine ergonomics. Filmmakers often choose Vista-P primes for narrative projects, music videos and commercials where a vintage rendering and swirling bokeh enhance the visual storytelling. At the same time, the lens holds up in large-format, high-resolution workflows.

FAQ

Question: What creative look does the Vista-P 21mm produce?
Answer: The lens produces a vintage-inspired, lower-contrast look with strong spherical distortion and a swirly, Petzval-type bokeh while keeping sharp central resolution and controlled chromatic aberration.

Question: Will this lens cover my large-format camera sensor?
Answer: Yes. The Vista-P series offers a 46.7 mm image circle that covers full-frame, VistaVision and 65 mm digital sensors, making it suitable for large-format capture up to 8K.

Question: How does the lens perform in focus pulls and re-framing?
Answer: The lens features near-zero focus breathing and approximately 300° of focus rotation, which helps you execute precise, repeatable focus pulls with minimal reframing artifacts.

Question: Are there mount or modification options if I already own Vista Primes?
Answer: The Vista-P series is available as new lenses and also as a one-way modification to existing Vista Primes, providing an upgrade path for productions already using the Vista ecosystem. Additionally, the series supports multiple mount options including PL, EF, MFT, E and LPL.

Question: What mechanical features help speed up lens changes on set?
Answer: Vista-P lenses share a matched 114 mm front diameter, 112 mm filter thread and consistent gear positions across focal lengths, which streamlines lens swaps when using matte boxes and FIZ systems.

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