Description
Article no.: 32040
The Tokina Vista-P 21mm T1.5 Cinema lens brings an expressive, vintage-inspired look to large-format cinema cameras while keeping modern optical control. This Canon EF–mount version pairs a fast T1.5 aperture with the updated Vista-P optical design to produce lower-contrast images, strong spherical distortion and a distinctive swirly, Petzval-type bokeh.
Vista-P cinema primes build on the original Vista Prime series. Tokina updated the optical layout by increasing spacing between elements, which creates a more expressive image character. At the same time, the lenses retain modern reliability and precision for professional cinematography workflows.
Because the series targets large-format capture, Vista-P lenses suit cameras used for narrative, music videos, commercials and other productions that want stylized rendering combined with robust cine mechanics.
Tokina designed Vista-P lenses with practical cinema mechanics and consistency across the series. They feature a robust all-metal cine housing and 0.8 MOD focus and iris gears to integrate easily with follow focus and motor systems.
Vista-P lenses provide a large 46.7 mm image circle. Therefore they cover full-frame sensors, VistaVision formats and digital 65 mm sensors. This coverage makes the series suitable for high-resolution capture up to 8K.
The series is available in multiple mount options to fit a wide range of cinema cameras and rental packages. Mount options include PL, EF, MFT, E and LPL. This particular product is the Canon EF–mount 21mm variant.
You can obtain Vista-P optics as new lenses. Additionally, Tokina offers a one-way modification of existing Vista Primes to the Vista-P optical specification. This option provides productions that already use Vista Primes an additional creative path without replacing an entire set.
| Specification | Details |
|---|---|
| Focal length | 21mm |
| Mount (product) | Canon EF |
| Series mount options | PL, EF, MFT, E, LPL |
| Maximum aperture | T1.5 |
| Minimum aperture | T22 |
| Iris | 9-blade curved iris |
| Image circle | 46.7 mm (large-format coverage) |
| Coverage | Full-frame, VistaVision and 65 mm digital sensors |
| Resolution suitability | Suitable for capture up to 8K |
| Focus rotation | Approximately 300° |
| Gearing | 0.8 MOD focus and iris gears |
| Front diameter / Filter thread | 114 mm front diameter / 112 mm filter thread |
| Housing | All-metal cine housing |
Use the Tokina Vista-P 21mm T1.5 when you want a stylized, characterful image with modern cine ergonomics. Filmmakers often choose Vista-P primes for narrative projects, music videos and commercials where a vintage rendering and swirling bokeh enhance the visual storytelling. At the same time, the lens holds up in large-format, high-resolution workflows.
Question: What creative look does the Vista-P 21mm produce?
Answer: The lens produces a vintage-inspired, lower-contrast look with strong spherical distortion and a swirly, Petzval-type bokeh while keeping sharp central resolution and controlled chromatic aberration.
Question: Will this lens cover my large-format camera sensor?
Answer: Yes. The Vista-P series offers a 46.7 mm image circle that covers full-frame, VistaVision and 65 mm digital sensors, making it suitable for large-format capture up to 8K.
Question: How does the lens perform in focus pulls and re-framing?
Answer: The lens features near-zero focus breathing and approximately 300° of focus rotation, which helps you execute precise, repeatable focus pulls with minimal reframing artifacts.
Question: Are there mount or modification options if I already own Vista Primes?
Answer: The Vista-P series is available as new lenses and also as a one-way modification to existing Vista Primes, providing an upgrade path for productions already using the Vista ecosystem. Additionally, the series supports multiple mount options including PL, EF, MFT, E and LPL.
Question: What mechanical features help speed up lens changes on set?
Answer: Vista-P lenses share a matched 114 mm front diameter, 112 mm filter thread and consistent gear positions across focal lengths, which streamlines lens swaps when using matte boxes and FIZ systems.