Description
Article no.: 32046
The Tokina Vista-P 25mm T1.5 Cinema MFT brings the Vista-P series’ vintage-inspired rendering to Micro Four Thirds cameras. It pairs a fast T1.5 aperture with an optical design tuned for lower contrast, swirly background rendering and controlled central sharpness. The result is a characterful image that works with modern large-format workflows while offering a distinct cinematic look.
Vista-P optics increase spacing between elements to produce expressive images with notable spherical distortion and a Petzval-type swirly bokeh. At the same time, the design maintains high resolution in the image center and keeps chromatic aberration low. Consequently, you get crisp central detail with a more stylized, softer look toward the edges.
Because Vista-P lenses are built around a fast T1.5 maximum aperture, they deliver shallow depth of field and flexible operation in low light. The series also offers reduced overall contrast compared to modern clinical primes, which helps achieve a vintage, cinematic aesthetic without sacrificing practical resolution.
Mechanically, the Vista-P 25mm T1.5 uses robust all-metal cine housing and cinema-standard gearing. The lens features 0.8 MOD focus and iris gears and approximately 300° of focus rotation for fine, repeatable focus pulls. Focus breathing is kept near zero, so reframing during pulls remains subtle and predictable.
Additionally, the series keeps gear positions matched across focal lengths and maintains a consistent front diameter and filter thread. This makes lens swaps faster and easier when using matte boxes, follow-focus systems or FIZ controllers.
Although this listing is the MFT mount version, Vista-P primes are designed with a large 46.7 mm image circle. This image circle covers full-frame, VistaVision and digital 65 mm sensors, making the series suitable for high-resolution capture up to 8K. The Vista-P family is offered in multiple mounts across the range, and the lenses can be supplied new or as a one-way modification to existing Vista Primes, giving productions a creative upgrade path.
Use the Vista-P 25mm T1.5 when you want a stylized, vintage look without leaving the large-format cine workflow. It is well suited to narrative work, music videos, commercials and any production that benefits from swirling bokeh, lower contrast and a distinctive, characterful rendering while maintaining modern mechanical reliability.
| Specification | Detail |
|---|---|
| Model | Tokina Vista-P 25mm T1.5 Cinema MFT |
| Mount | MFT |
| Aperture | T1.5 – T22 |
| Iris | 9-blade curved iris |
| Image circle | 46.7 mm |
| Coverage | Full-frame, VistaVision, digital 65 mm sensors (suitable for high-resolution capture up to 8K) |
| Front diameter | 114 mm |
| Filter thread | 112 mm |
| Focus rotation | Approximately 300° |
| Gears | 0.8 MOD focus and iris gears |
| Housing | All-metal cine housing |
| Availability | Offered new or as a one-way modification to existing Vista Primes |
question: Which cameras and sensors will this MFT version work with? Answer: The MFT mount gives direct compatibility with Micro Four Thirds cameras. Optically, the Vista-P design produces a 46.7 mm image circle that also covers full-frame, VistaVision and digital 65 mm sensors, meaning the optical characteristics and image circle are suitable for high-resolution capture up to 8K when used in appropriate mounts and camera bodies.
question: Can I get Vista-P rendering on lenses I already own? Answer: Yes. The Vista-P series is available both as new lenses and as a one-way modification to existing Vista Primes, offering productions an option to convert existing lenses to the Vista-P optical character.
question: How does the lens behave during focus pulls? Answer: The Vista-P 25mm is designed for minimal focus breathing and provides approximately 300° of focus rotation with 0.8 MOD gearing, which helps achieve smooth, repeatable pulls while keeping reframing subtle.
question: What practical benefits do the mechanical specs provide on set? Answer: The all-metal cine housing, matched 114 mm front diameter and 112 mm filter thread, plus matched gear positions across focal lengths, speed up lens changes and simplify workflow with matte boxes, follow-focus systems and FIZ controllers, making setups more efficient on set.