Description
Article no.: 32051
The Tokina Vista-P 50mm T1.5 Cinema lens brings a vintage, lower-contrast look to modern large-format cinematography while keeping the reliability and precision expected from contemporary optics. This variant ships with a Canon EF mount option and follows the Vista-P series’ optical tuning that emphasizes expressive spherical distortion and a swirly, Petzval-type bokeh.
Vista-P primes use an updated optical design that increases spacing between elements to create a distinctive, more expressive image. The result is reduced overall contrast, crisp central sharpness and more stylized rendering toward the frame edges. You get strong spherical distortion and swirly background rendering that recall classic optics while maintaining modern control over chromatic aberration.
The lens supports high-resolution capture and is suitable for large-format sensors, making it compatible with workflows up to 8K. The fast T1.5 aperture gives you a shallow depth of field and flexible low-light options, while a T22 minimum aperture is available when you need greater depth of field or slower exposures.
Tokina builds Vista-P lenses with robust all-metal cine housings and consistent mechanics across the series. You’ll find 0.8 MOD focus and iris gears for direct compatibility with cine follow-focus systems. Focus rotation spans approximately 300°, allowing for precise, repeatable pulls during production.
Lens front diameter and gear positions are matched across focal lengths to speed up lens swaps on the same rig. The Vista-P series uses a matched 114 mm front diameter with a 112 mm front filter thread, helping you keep matte boxes and filters aligned without reconfiguration.
The Vista-P series offers multiple mount options, including PL, EF, MFT, E and LPL, so you can integrate the 50mm T1.5 into a wide range of cinema cameras and rental setups. In addition to buying new Vista-P primes, Tokina provides a one-way modification option to convert existing Vista Primes into Vista-P optics, giving productions that already use Vista lenses a creative upgrade path.
| Specification | Detail |
|---|---|
| Maximum aperture | T1.5 |
| Minimum aperture | T22 |
| Iris | 9-blade curved iris |
| Image circle | 46.7 mm (large-format coverage) |
| High-resolution support | Suitable for capture up to 8K |
| Focus breathing | Near-zero |
| Focus rotation | Approximately 300° |
| Gears | 0.8 MOD focus and iris gears |
| Front diameter | 114 mm |
| Filter thread | 112 mm |
| Mount options | PL, EF, MFT, E, LPL |
With its combination of expressive vintage character and modern cine mechanics, the Tokina Vista-P 50mm T1.5 suits narrative production, music videos, commercials and any project that benefits from stylized, swirling bokeh while retaining large-format workflow compatibility. The lens’s mechanical consistency helps speed up multi-lens setups on matte boxes and FIZ systems.
Question: Does the Vista-P 50mm T1.5 cover full-frame and larger sensors?
Answer: Yes. The lens has a 46.7 mm image circle and is suitable for full-frame, VistaVision and 65 mm digital sensors, making it appropriate for large-format capture up to 8K.
Question: How does the Vista-P 50mm render compared to standard modern cinema lenses?
Answer: The Vista-P 50mm delivers a lower-contrast, vintage-inspired look with increased spherical distortion and swirly Petzval-type bokeh while maintaining crisp central sharpness and controlled chromatic aberration.
Question: Is the lens mechanically compatible with cine accessories?
Answer: Yes. It features an all-metal cine housing, 0.8 MOD focus and iris gears, approximately 300° of focus rotation, a consistent 114 mm front diameter and a 112 mm filter thread. Gear positions are matched across the series for faster lens changes.
Question: Can I get this optical character on existing Vista Primes?
Answer: Tokina offers Vista-P as a one-way modification to existing Vista Primes, allowing productions that already use Vista lenses to adopt the Vista-P optical character.
Question: Which mounts are available for the Vista-P series?
Answer: The series is available in multiple mounts, including PL, EF (as in this 50mm listing), MFT, E and LPL, giving broad camera compatibility across rental and production setups.