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Tokina Vista-P 50mm T1.5 Cinema Sony E

Tokina Vista-P 50mm T1.5 Cinema Sony E

£6,536.25
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Delivery: Ordered from external warehouse. Approx 5-12 Days Delivery

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  • BrandTokina

Description

Article no.: 32053

Tokina Vista-P 50mm T1.5 Cinema Lens — Vintage-style lower-contrast rendering with fast T1.5 speed (Sony E)

The Tokina Vista-P 50mm T1.5 cinema lens brings a vintage-inspired, lower-contrast look to modern large-format workflows while delivering the mechanics and reliability expected from contemporary cine optics. This Sony E-mount version fits directly on compatible mirrorless cinema and hybrid cameras, offering the distinctive Vista-P character with modern cine usability.

Vintage-inspired optics with modern control

Vista-P primes update the original Vista Prime design by increasing element spacing to create stronger spherical distortion and a swirly, Petzval-type bokeh. At the same time, Tokina tunes the optics to retain high center resolution and controlled chromatic aberration. As a result, you get expressive, characterful images that still hold up on high-resolution capture systems.

Furthermore, the lens is built around a fast T1.5 maximum aperture and a 9-blade curved iris. This combination enables shallow depth of field and smooth, rounded bokeh, while the minimum aperture reaches T22 for extended depth-of-field needs.

Large-format coverage and high-resolution readiness

Tokina designed the Vista-P series with a large 46.7 mm image circle. Therefore, you can use the lens on full-frame, VistaVision and digital 65 mm sensors. In practice, this makes the lens suitable for high-resolution capture up to 8K when used on compatible camera systems.

Optical behavior and practical effects

  • Lower-contrast rendering across the frame for a more stylized, cinematic look.
  • Strong spherical distortion and swirly background rendering for expressive bokeh character.
  • Crisp central sharpness combined with a more characterful falloff toward the edges.
  • Optical tuning that keeps chromatic aberration low while emphasising vintage-style rendering.
  • Near-zero focus breathing, which means reframing during focus pulls appears subtle and predictable.

Reliable cine mechanics for production work

The Vista-P 50mm T1.5 pairs its optical character with robust cine mechanics. Tokina fits the lens with a full metal cine housing and standard cine gearing, making it straightforward to integrate into professional rigs.

  • 0.8 MOD focus and iris gears, compatible with industry-standard follow focus systems.
  • Approximately 300° of focus rotation for fine, repeatable focus pulls.
  • Matched gear positions across the series to speed up lens changes when using matte boxes and FIZ systems.
  • Consistent front diameter of 114 mm and a 112 mm front filter thread for predictable filtration and matte box setup across the Vista-P lineup.

Mount options and upgrade paths

Vista-P primes come in multiple mounts to suit a wide range of cinema cameras and rental packages. Available mounts include PL, EF, MFT, E and LPL. Additionally, Tokina offers the Vista-P look both as new lenses and as a one-way modification to existing Vista Prime lenses, providing a creative upgrade path for productions already invested in the Vista ecosystem.

Key features

  • Vintage-style, lower-contrast rendering with strong spherical distortion and swirly Petzval-type bokeh
  • Fast T1.5 maximum aperture with T22 minimum, 9-blade curved iris and smooth, rounded bokeh
  • Large-format coverage with a 46.7 mm image circle, suitable for full-frame, VistaVision and 65 mm digital sensors
  • High resolution in the image center with controlled chromatic aberration and a more characterful look toward the edges
  • Near-zero focus breathing and approximately 300° focus rotation for precise, repeatable focus pulls
  • 0.8 MOD cine gears, all-metal housing, and matched 114 mm front diameter / 112 mm filter thread across the series
  • Multiple mount options including PL, EF, MFT, E and LPL for broad camera compatibility

Recommended uses

With its expressive vintage character and modern cine mechanics, the Tokina Vista-P 50mm T1.5 is well suited to narrative filmmaking, music videos, commercials and any production that wants a stylized, swirling bokeh while maintaining compatibility with large-format cine workflows.

Technical specifications

Specification Value
Focal length 50mm
Maximum aperture T1.5
Minimum aperture T22
Iris 9-blade curved iris
Image circle 46.7 mm
Coverage Full-frame, VistaVision, digital 65 mm sensors (suitable up to 8K)
Focus breathing Near-zero
Focus rotation Approximately 300°
Focus & iris gears 0.8 MOD
Housing All-metal cine housing
Front diameter 114 mm
Filter thread 112 mm
Mount options PL, EF, MFT, E, LPL

FAQ

Question: Does the Tokina Vista-P 50mm cover large-format sensors and high-resolution capture?
Answer: Yes. The Vista-P series provides a 46.7 mm image circle that covers full-frame, VistaVision and digital 65 mm sensors, and it is designed to be suitable for high-resolution capture up to 8K on compatible systems.

Question: What kind of look does this 50mm Vista-P produce?
Answer: The lens produces a vintage-style, lower-contrast rendering with strong spherical distortion and swirly Petzval-type bokeh. You will find crisp center sharpness with a more characterful, stylized rendering toward the edges.

Question: How does the lens behave for focus pulls and breathing?
Answer: Tokina tunes Vista-P to keep focus breathing near zero, so reframing during pulls appears subtle. The approximately 300° focus rotation also allows for precise, repeatable focus pulls when working with follow focus systems.

Question: What mechanical features help integrate the lens into professional rigs?
Answer: The lens uses 0.8 MOD focus and iris gears, an all-metal cine housing, matched gear positions across the series, a consistent 114 mm front diameter and a 112 mm filter thread—features that simplify matte box use and FIZ integration.

Question: Is this look available for existing Vista Prime owners?
Answer: Yes. The Vista-P rendering is available both as new lenses and as a one-way modification to existing Vista Primes, offering productions an upgrade path while staying within the Vista ecosystem.

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